The South Side of Chicago is one of America’s most publicized and least understood places. It is arguably the country’s largest and culturally richest African-American community. It is also at the center of Chicago’s current epidemic of gun violence. It is the home of Barack and Michelle Obama, and it is disappearing, with disinvestment and a mass exodus of its population. 

For the two decades that I’ve made the South Side my home, I’ve documented life there—through photographs and moving images, through oral histories and found ephemera. During this time, I have witnessed the systematic and ongoing deconstruction of many South Side’s communities, along with the ensuing struggle by residents there to maintain order. 

My own understanding of and passion for the South Side has deepened and evolved over time. Most days I love this place more than anywhere else in the world. Yet there are times when the South Side breaks my heart. Chicagoans who live elsewhere generally don’t visit the South Side; they have been conditioned to fear the community in light of headlines—and tweets from President Trump—that depict a “hell” of unyielding violence. The same is true of other shunned neighborhoods across the United States. But it is vital to understand the South Side and communities like it in all their complexity—in the fullness of their need and beauty and resilience. That is also how the country as a whole comes to better understand itself.


INDEX

South Side Images >>
This body of work reveals a long and deeply felt story, created over decades, addressing themes of social injustice, racism, and systemic violence. The project reflects the photographer’s deep, decades-long ties to the communities he documents. 

Voices in the Hall >>
The S. Oakwood/Brookhaven or "Pocket Town" neighborhood is a small, tight knit black community on Chicago's S. Side. Roots run deep in this neighborhood, and the stakes are high for the children of this community. For more than four years, Lowenstein photographed, taught, coached and documented the daily life of the Paul Revere Elementary School here. The school was on probation for low academic scores and the surrounding neighborhood was facing the legacy of historic racism, de-industrialization and disinvestment Revere was a haven for the community.

A Violent Thread (film) >>
Short film that examines how social violence impacts friends and residents in the the South Side community where I live. Supported by the New Yorker Magazine.

Historiologies >>
H
istoriologies are a series of physical graphite impressions made on photographic paper. This work reflects and refracts the imagery and language of the past and the present that surrounds us throughout each place. All we have left is the feeling of a moment seen, a time lived and a place that will never be completely seen.

Cenotaph 12 (film) >>
Cenotaph 12 is a multi-screen installation that documents the intersection of daily life, structural inequality, social violence and the legacy of history on the South Side of Chicago where I’ve lived and worked for almost two decades. The piece examines how these forces are reflected and refracted through my own lens, social media and the surveillance state and then consumed and re-played and transmitted over and over again. The film starts in a public, impersonal and structural phase and moves implicitly into the personal lives of a group of young men who have lived within this space for their entire lives.

South SIde monograph >>
A 200-page hardcover book published by Hatje Cantz. “For two decades Lowenstein has turned the camera lens to his own neighborhood, Chicago’s South Side. Often presented as a hotspot of social issues on the news, he uses his camera to record everyday life and transcend the headlines in collaborative and honest black and white photographs. Supplemented by oral histories, personal texts, and poetry the insight into the South Side deepens even further and fills the pictures with additional life.”

The Advocate (film) >>
The Advocate is a narrative feature documentary film that examines the journey of Jedidiah Brown, a 33-year-old African-American advocate searching for ways to create a sustainable life while also fighting for justice in his community. The film follows his inner and outer struggle to construct a healthy identity and personal meaning from the ashes of an utterly dispossessed, segregated and neglected post-industrial community on Chicago’s South Side.